A R C H I V E
DAN BEUDEAN 2 december 2008 Cluj
Laika Gallery Untitled, technique: pencil/paper, dimensions: 30/15 cm, 2008

Untitled, technique: pencil/paper, dimensions: 30/15 cm, 2008

Laika Gallery Untitled, technique: pencil/paper, dimensions: 35/35 cm, 2008

Untitled, technique: pencil/paper, dimensions: 35/35 cm, 2008

Laika Gallery Untitled, technique: pencil/paper, dimensions: 30/19 cm, 2008

Untitled, technique: pencil/paper, dimensions: 30/19 cm, 2008

Laika Gallery Menu of the day, technique: collage on ceramic plate, dimensions: 20/20 cm, 2008

Menu of the day, technique: collage on ceramic plate, dimensions: 20/20 cm, 2008

Laika Gallery Menu of the day, technique: collage on ceramic plate, dimensions: 20/20 cm, 2008

Menu of the day, technique: collage on ceramic plate, dimensions: 20/20 cm, 2008

The exhibition proposed by the Cluj-based artist Dan Beudean invites the viewer in his private space, the room he lives and works in, in a suggestively reconstructed version. There is no attempt to embellish the room, just a transposition to Laika exhibition space. 

Dan Beudean builds his own universe, metamorphosing his immediate reality and the media reality that he unrestrainedly exposes himself to through the means of the TV set switched on mute in his room, processing these realities with irony, soberness, gravity and ludic spirit. He puts forward a mental trip woven by Dadaistic and surrealistic principles, with an absolute freedom of speech, apparently out of control. But each installation of objects or assembly of works on paper has a very precise meaning. It is a chaos ruled by an invisible net of personal or media stories. It is not by chance that the self-portrait of the artist repeats itself obsessively like a mastermind of a world with its own laws, an imaginative world with a revealing purpose.

Dan Beudean uses drawing, painting, collage, object, photography or even drawings or paintings by other artists to build his own installation meticulously, altering the primal sense of things. Instead of the grandparents’ photo we find a page from a children’s drawing brook, framed and adorned by traditional kerchief, the notorious china elephant caught in the middle of a sex act with the equally notorious china horse and instead of the she-wolf suckling Romulus and Remus, we come across a female dog suckling two little pigs that seem to have just landed from the 5 o’clock news. But Dan Beudean’s work is not social critic or void irony, he invites us to see the reality with more imagination.


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